Chalk this up to two factors:
1) He tempers his love of gadgets and doo-dads such as tape loops, distortion, and feedback with a reverence and musicianship rarely seen in any modern guitarist.
2) And this applies to his Jazz credentials: He can more than hold his own in the “straight-ahead” arena, especially with a trio or quartet.
Words like “departure” don’t apply to Frisell’s recordings, they all hold that distinction. His latest, When You Wish Upon a Star, finds him with his working acoustic band , including violist Eyvind Kang and vocalist Petra Haden. Both are very distinctive stylists without whom there might not be a “Bill Frisell Sound.” He happily acknowledges this.
Ennio Morricone’s “Once Upon a Time in the West” has had a profound effect on many artists over the years and it’s well arranged here, along with “The Godfather,” “Happy Trails,” and “Moon River.” Did I mention the theme-theme? T.V. and movies are feted.